Eric-Emmanuel Schmidt - La Nuit De Feu (Albin Michel, 2015) ***

This is the true story of French author Eric-Emmanuel Schmitt taking an organised trip in the desert of Algeria. One day, he gets distanced from the others and loses his way in the desert. Left on his own, he tries to stay where he is in the hope to be found again by the rest of the group. During the night he has a kind of mystical experience, abandoning himself to the overpowering night sky, abandoning all hope and concepts and labels, giving himself to the totality of nature, which makes him burn like a flame, full of energy and totally motionless.

I can understand the feeling, even if is totally irrational. It must have been a profound experience. Schmitt writes well. There is no plot. The novel evolves towards the experience I describe above, then he is found again, and they all go home. But something has changed in him.

Worth reading.

C.B. Brooks - The Non-Believer's Guide To The Bible Stories (Pitchstone, 2015) *

I am an atheist and a real bible junk. The biggest mystery on earth is why people are religious. It beats me. Do they actually believe all this nonsense? These stories once invented by totally uneducated primitive nomads herding cattle in the hills of the Middle-East? And some people still believe this superstitions today?

Unfortunately they do, and it remains puzzling.

That's why I buy books like this one. In the hope to understand. I bought it via Amazon without having had the chance to leaf the pages before buying. It's a kind of disappointment. The little book just summarises the real bible in very short easy-to-read chapters and paragraphs. So that you can know what the stories are without having to read the actual bible. That by itself has some value. But I would recommend you to read the real thing.

In my opinion, every person reading the bible today as it is, cannot come to any other conclusion that it is totally bogus: full of mistakes, contradictions, with god as a monster, the 'chosen people' as nothing more than unfaithful and murderous cowards, and no moral guidance of any value to the ethical society of today.

Tom McCarthy - Satin Island (Vintage, 2015) **

I am perplexed. The new Pynchon? The new Beckett? The new Don DeLillo? Huh? Who are you kidding? No, no, no. There is no comparison. McCarty does his best, for sure, and his prose is all his own, no doubt about that. Yet he is far from having created the existential reading experience of the names mentioned above.

It is interesting though. The narrator is an ethnographer who is asked by a company to understand the market and customers and all aspects underlying their interaction so as to sell more. The whole concept remains vague and uncertain, also to the narrator. At the same time, it gives him the opportunity to write his Great Report about the underlying forces of society. That's the story. Nothing happens otherwise, apart from the narrators own day-to-day life and his observations of society around him, which presents itself as quite meaningless as an accumulation of ordinary objects and facts.

Sure, all this leaves you, as the reader, completely perplexed. What is happening? You don't know. In that sense, reference to Pynchon can be made. But that's about it. There is at no single moment a trace of human emotion that you can identify with in such a way to make this book gripping. Or is that the purpose? Maybe. Maybe the purpose is to give such a basic account of reality that there is no story, no plot, no human emotion nor any purpose to find. Fine. But that does not make this compelling reading.

Viet Thanh Nguyen - The Sympathizer (Corsair, 2015) **½

In this Pulitzer Prize winning novel, the main character is a Vietnamese army captain living in America after the Vietnam war. The novel is a kind of diary he has to write with full details and with full honesty to report back to his Vietcong leaders. He loves America, but with a critical and satirical eye. He does not always understand Americans, yet at the same time, he remains loyal to his bosses in Asia, even if he does not always appreciate what's happening there. This double-faced, double-sided approach makes the narrator very human, hesitating between the choices he has, but also hesitating about the moral codes of communists and capitalists alike.

The novel is well written, fluent and rich in perspectives. The only downside in my personal opinion is that the satire doesn't mix well with the horror of what actually happened in Vietnam. Maybe the satire acts as a protective shield from the actual events, but it often sounds like jokes about the holocaust, totally misplaced and not done.

David Mitchell - The Bone Clocks (Sceptre, 2015) ***

I am a David Mitchell fan, even though his books are nog Great Literature (with capital G and capital L), they are in the category of clever entertaining and wonderful story-telling.

In The Bone Clocks, an adolescent girl flees from home, disillusioned by her parents and the betrayal of her boy friend. We follow Holly Sykes' narrative with enthusiasm. Her voice is genuine, we feel with her. She is real. Then she gets confronted with some ununderstandable situation. She is lost. We get lost.

The next chapter is narrated by Hugo Lamb, a cynical student boasting about himself and feeling superior to all the stupidities of the world around him (sounding like Martin Amis in his earlier novels). Another perspective is that of Crispin Hershey, an acclaimed novelist whose career goes down the drain, and who bares a deep secret of guilt. And there are three more perspectives that are described in a realistic setting, with easy-to-identify-with characters.

Yet with all of them, something bizarre happens. Nothing much, but just something that is not right, that cannot be explained by rational arguments and facts. It seems that time and space are somehow suspended at certain moments.

What is happening is the age-long battle between the Horologists and the Anchorites, creatures who live somewhere else yet whose war sometimes extends to our world. In Mitchell's narrative, it's as if fantasy interferes with a very realistic present-day account of the lives of normal people. And that's the strength of the novel. He mixes two genres - realism and fantasy - that are like oil and water, impossible to mix, yet somehow it works, although I just recommended my wife against reading this book, because I know she abhors of anything close to fantasy.

Anyway, as you can expect from David Mitchell, The Bone Clockx is well written, fun to read and full of suspense. Just don't ask too many questions and let yourself be carried away.

Scott E. Page - The Difference (Princeton University Press, 2007) ****

Page's book is one of the landmark books on the topic of diversity of thought, or collective intelligence. He approaches the topic like a mathematician or computer scientist, devoid of any emotional or ideological intentions, analysing how choices can be made by different people, and how the outcome of problem-solving can be improved if diverse perspectives are combined.

He creates a number of theorems that he systematically investigates. He defines all the difference that people may have in their approach to a problem. He defines 'perspectives', 'heuristics', 'interpretations', 'tool boxes' and 'preferences'. He calculates how adding every person's individual set of perspectives, heuristics, interpretations, tool boxes and preferences to another person's, increases the list of possible solutions to a problem with a huge factor.

His conclusion is clear : Diversity Trumps Ability. Collective decision-making will increase the predictive power, will generate more creative ideas, will come to more and better solutions to problems, and will obviously know more facts ... But Page is also clever enough to put some conditions against this strong evidence. It does not work in all situations and in all contexts. It should fit the purpose. A random group of people will not solve a mathematical problem better than a mathematical expert on his own. And it is not because you have good identity diversity (ethnic, gender, age group) in teams, that you have the best possible diversity of perspectives: if they all have the same social and educational background, they may be less diverse than you think.

Page writes well, and like any scientist, his approach his very systematic and in-depth, but he manages to keep it readable, with examples and reasonings that do not require any specific knowledge of mathematics, economy or computer science.

Simon Blackburn - Truth (Penguin, 2006) ***

In this post-truth era, it is good to understand what 'Truth' is, and how it has been looked upon by all great philosophers. Simon Blackburn is a great guide. First, because even if he gives some insights into the history of philosophy, this is not a historical overview. Blackburn tries to identify within history what might be relevant for us today. He guides us through the concepts of absolute versus relative truths, with Protagoras and Nietsche proponents of the latter, and Plato and religions of the former. He ends with his views on realism and pragmatic truth, based on empirical evidence and success in real life.

Like all books by Blackburn, this one is easy to read and follow. He style is light and non-academic.

Andrea Wulf - The Invention Of Nature (John Murray, 2015) ****

This is an incredible book, about an incredible person, written by a magesterial story-teller. Yes, we had heard about Alexander von Humboldt before (starting with 'Humboldt's Gift', the phenomenal novel by Samuel Below), but he remained some kind of vague and hard-to-place figure in my mind.

Andrea Wulf has brought him back to life, and how! With stylistic and compositorial mastership she recreates his life, as a well-to-do 18th century aristocratic boy interested in nature, with an exceptional drive to explore and observe. His mother's death comes as a liberation, and he spends his entire fortune on his travels to South America, where he explores everything he sees. His mind is also at the same time analytic and synthetic: he records everything, big and small in biology, stones and geography, clouds and weather conditions and temperature and height and all the rest that he notices, with absolute precision thanks to all his observation tools, and then he brings it all together in one big picture that demonstrates that everything is linked.

That is why the book is called "The Invention Of Nature", because he was the first person to see that everything is connected. He was the first to complain that logging the forests in South America would have disastrous effects on nature, that it would destroy the basic conditions for renewal. Interestingly enough, Humboldt himself seems to have been self-destructive in a way, pushing himself forward beyond the limits of his capital and physical possibilities. He even ventured to Siberia without official permission from the authorities, and he still went on despite an anthrax epidemic that killed everyone.

Humboldt was a legend in his own time, known and cherished by everyone, from school children to emperors. His works and his vision of nature inspired people like Darwin, Thoreau and of course also Jules Vernes, who used Humboldt's adventures as an inspiration for his novels.

Humboldt was also an ecologist and human rights activist (within limits ... he also understood the value of diplomacy when he needed money), and at the same time a wonderfully skilled draughtsman, who could draw what he saw in the most minute detail, including his geographical maps of plant life.

And to repeat my kudos : Andrea Wulf is an incredibly skilled narrator. Her topic is of course very interesting, yet the way this book is written and composed, is an achievement by itself.

Sam Harris & Maajid Nawaz - Islam and the Future of Tolerance (Harvard University Press, 2015) ****

It's a short book, presented as a dialogue between Sam Harris, known atheist, and Majid Nawaz, co-founder of Quilliam, a religious think tank, on the subject of Islam, as you might have guessed.

Harris asks the questions and gives the comments you might expect, but Nawaz sheds some interesting perspectives on the current debate. For instance when he makes the distinction between fundamentalism and Islamism, in which the first is the result of cultural conservative and traditional ingroup/outgroup thinking, and who see Islamism as "a product of Western modernity born from Western innovation in codifying law in unitary legal systems".

He also makes a good point - and appeal - about what he calls the "regressive left" : "The first stage in the empowerment of any minority community is the liberation of reformist voices within that community so that its members can take responsibility for themselves and overcome the first hurdle to genuine empowerment: the victimhood mentality".

He also makes some historical notes, for instance, that originally, the Quran was not always perceived as the eternal word of God. At one time, the Mu'tazila doctrine, which was the ruling doctrine that the Quran was not the eternal word of God, was "eventually defeated by the Asha'ria, whose views on the eternal uncreated nature of the Qur'an then became accepted as orthodoxy".

Harris also makes some good points, namely that "our moral values has evolved throughout history, and that most of our current moral values are antithetical to the specific teachings of Judaism, Christianity, and Islam". Or, to put it differently, today's believers select out of their books the messages that correspond to their current thinking, and disregard or even reject the values that are no longer relevant, implicitly of course questioning the validity of their books as moral compass.

The concept of the book is unique. Sure, it is a dialogue, but unlike the debates you see on TV, the debaters have time to expand on their arguments, to substantiate them with quotes and references and facts, without being interrupted, while at the same time maintaining the dynamics of a dialogue, namely to be challenged and questioned. A welcome approach!

Malcolm Gladwell - Outliers (Back Bay, 2011) **

This book has been hailed by many, and it makes some interesting points, yet often I wondered what all the fuzz was about. Gladwell gives an overview of remarkable extremes - in football, wealth, intelligence, career success stories, etc. ... and comes to the conclusion that luck is a common trait, or rather, to be at the right time on the right place, and to be looked upon by the outside world in the right way. His search for reasons is often interesting, and his anecdotes well researched and presented, but then you say 'so what?'. The value of the book is that it opens new ways of looking at things, instead of just attributing success to personal talent and character. On the other hand, the scientific value of some of his conclusions can be challenged. Some of his claims - like the selection of the players in a soccer team - could be more the result of chance than anyting else.

The most interesting list in the book is the one with the richest people ever in history, including Amenophis III, Cleopatra and Crassus, and guess what, the richest men ever, all come from the same period in the US, and all were active in building railways, oil, steel or cars: Rockefeller, Carnegie, Vanderbilt, Mellon, Ford. It is clear that some people paid insufficient taxes.

Miguel Syjuco - Ilustrado (Mouria, 2011) ***½

'Ilustrado' by Philippine author Miguel Syjuco is both ambitious and entertaining. When the body of Crispin Salvador is found in the Hudson River in New York, everybody believes the famous author committed suicide, yet his literary student, Miguel Syjuco thinks otherwise, and starts investigating, going back in history, going back in the deceased author's oeuvre to find out what could have happened.

'Ilustrado' is a puzzle. Together with the author, we try to reconstruct what happened based on diary notes, biographies, novels and real life events. Syjuco uses multiple perspectives and styles to depict a world of corruption, political violence, personal vendetta's, accumulation of personal wealth and other vice. His approach doesn't always work, but at the same time it gives a good picture of Manila (we hope), or at least it puts Philippine literature on the map.

Worth reading, if only to hear a different voice than the ones that come of US Creative Writing Classes.

Derrick Gosselin & Bruno Tindemans - Thinking Futures (Lannoo, 2016)

An interesting book on how companies and organisations can do scenario-planning in uncertain futures. The authors give a good summary and sequence of the models and steps that can be used to develop these future scenarios, although they do not provide much evidence that this will lead to results. Case studies are unfortunately totally absent. So we must trust them that what they propose also actually works in practice.

Jean Manco - Ancestral Journeys (Thames & Hudson, 2015) ***

Writing popular science books requires more than scientific knowledge. This book gives an overview of the genetic and archeologic finds that illustrate the migration of people throughout the millenia in Europe, and this combined with linguistic insights and influences. This is knowledge that every school child should receive, not only in Europe, but across the world. It explains with lots of detail how the idea that an original population took over the customs and tools from coming into contact with other migrating cultures, is not always correct. Often the the invading migrants just replaced the original population. It also illustrates how all cultures are genetically connected while being different at the same time, and this often in the most unexpected areas. I learned in this way that the Berber population in Morocco and the Saami in Finland are genetically linked to a common ancestor. It explains how sometimes the migrating populations took the lead role and changed the language of the country they invaded, as the Romans did with romance languages, yet sometimes the Visigoths who invaded Spain and formed the cultural elite, adopted the language of the country and hence disappeared as a separate culture (although names such as Rodriguez, Gonzalez, Fernandez survive).

The conclusion is clear: we are all migrants.

Despite the highly relevant subject in this day and age, the book is written with lots of knowledge and detail, yet fails to come with a coherent narrative that brings the findings to live. It reads like one long scientific article, and it may be too scientific for non-specialists while being too popular for the real scientists. In fact, the thought occurred to me often while reading, that this book should just be re-written by a non-scientist, someone who has the gift of the pen (Howard Bloom for instance, or Andrea Wulf), to write this great story of Europe's people in way that is compelling and inspiring. Take the same content, yet write it like some of the other great popular science books.

Albert Sanchez Piñol - Cold Skin (Canongate, 2016) **½

A wheather observer is dropped on a remote island somewhere close to the Antartic for the period of a year. The only other person on the island manages the lighthouse. When the boat leaves, the new guest on the island is attacked by sea creatures that are a hybrid between reptiles and humans (at least that's how they come across).

The whole novel is nothing but the battle of the main character against the creatures, first in the company and with the support of the lighthouse manager, yet gradually things start to change, and I will not say more ...

It's an easy read, good for the holidays. It is well written and the subject is so bizarre that the book is memorable, which by itself is already something. On the other hand, there are many other ways to spend time meaningfully than to read this book.

Michael Signer - Demagogue (Palgrave McMillan, 2009)

I read this book because I looked for books on demagoguery and populism in political, and apparently there aren't many, so I ordered this one through Amazon. The reason why I read it is because of what is happening in Russia, Turkey, The Philipines, the United Kingdom, the United States.

Populist politicians, whether left-wing or right-wing, win votes because they manage to deceive people, not by logical and fact-based arguments, but by appealing to the most basic emotions of fear, complemented with outright lies. They can do that of course, that's the risk of democracy. The question I had how we can make sure that these demagogues, once in power, do not undermine the very foundation which brought them to power by installing a totalitarian system that is utterly anti-democratic, as we have witnessed in Russia, Turkey, Egypt, Tunesia.

And that was exactly how this book presented itself. And even if it starts well, with good definitions of what a demagogue is, and giving a good historical background from the ancient Greeks to today, with lots of attention to the United States' Constitution.

Yet then it fails miserably by the bizarre assumption that the United States is the world's leader in democratic thought. It zooms in on the United States as if there was no other democracy in the world. The outside world only exists to give the negative examples, such as why in the US a new Hitler would never be able to come to power.

Michael Signer is a Democrat, as in an active member of the political party. And maybe his book was written with a US audience in mind, although he keeps emphasising a lot that the US has other countries' best interests in mind, so I guess he's also expecting some foreign readers.

The US still has a long way to go. President Trump is the best example that even the US are not exempt from being ruled by a demagogue, despite all the checks and balances that Signer says the US system has in place.

If anyone can recommend a good book on the subject, please let me know.

M.R James - Canon Alberic's Scrap Book (Penguin Modern Classics, 2011) ***

This little book contains three short ghost stories by M.R. James, dating from 1894. They are dark, they are unexpected. It's not the kind of horror that will make you scream out from utter terror. It's the kind that gives you the impression that there might be a darker reality somewhere, that escapes our logic and senses. Nothing pretentious, just good entertainment.

Thomas Verbogt - Als De Winter Voorbij Is (Nieuw Amsterdam, 2016) *

Ik stop met Nederlandstalige romans te lezen. Ik heb me weer laten vangen door positieve recensies en literaire prijzen. Toegegeven, het is een mooi en melancholisch verhaal, waarin de ik-figuur het verleden en het heden vergelijkt in uiterst broze gevoelens voor verschillende vrouwen. Alleen is de ik-figuur totaal oninteressant en het verhaal zo saai als wat. En dan is het misschien wel mooi geschreven, maar dat is niet voldoende.

J. Anderson Thompson - Why We Believe In God(s)? (Pitchstone, 2012) **

The title of the book is intriguing, and to me one of the greatest mysteries of the human mind: why do  people believe in god? Considering the fact that there is no evidence of the existence of any god, and that despite the increase in education levels, and the enormous amount of scientific information that explains things that were part of religious myths, people still continue to believe.

I thought this book would shed some more light on why people believe, and it does only to a certain extent. Maybe I have already read to many books on the subject, and this one gives a concise overview of all the scientific arguments of how religions come to be, but that upside is also its downside: there are not many new ideas to find here.

The book ends with a quote from Stephen Hawking, that "since science is based on observation, and religion on authority, science will win in the end". I am less optimistic. I fear that most people subject themselves to authority with pleasure, instead of relying on their own observations.

Interesting reading if you're not familiar with the arguments.

Clarice Lispector - Complete Stories (Penguin, 2015) ***½

I had heard of Clarice Lispector only through the music of saxophonist Ivo Perelman, also hailing from a jewish background in Brasil, who dedicated several of his albums to her literary work and was inspired by her.

The author is considered one of the leading figures of modern literature in Brazil, and her stories are all closely linked to her own personal life. Her family fled the Ukraine when jews were persecuted and they fled to Brazil. Clarice's husband worked for the foreign service, and she followed him around the world. Her voice is one of feminism, one of an intelligent woman locked into an environment which is too small for her, yet she stays there. With precision and authenticity, she describes the lives of the people around her, including herself, with smart insights and a sharp pen. Her style is often eliptic, she does not share everything, creating in this way a kind of hazy picture of reality, in which the characters have to find their way as through fog. Both characters and the writer try to get some logic and coherence into this world, yet they fail.

Her world is one of mysteriousness and suffocation at the same time, yet all delivered with an incredible sense of words and composition.

It is great that all her stories have been compiled in one book, but you shouldn't make the mistake I made, to actually read it as one book. Eighty-eight stories is problably too much. It is best to keep it as a book to go back to occasionally, and to read it further so as to savour the stories better.

László Krasznahorkai - The Melancholy Of Resistance (Tuskar Rock Press, 2016) ***

As enchanted as I was by Krasznahorkai's "Seiobo There Below", as disappointed that I am with this book. The style is the same, lengthy sentences that never seem to end, yet that meander and flow in an organic and logic sequence out of the consciousness and perceptions and reminiscences of the character into words, yet when in "Seboio There Below", the unusual characters are all driven by their artistic or aesthetic passions, here the shifting perspectives of all the characters circle around a single event, the arrival of a great whale in a circus-like event in the vast planes of a boring and desolate town. The major difference in my opinion is that the characters are less interesting than his later album.

I had seen the movie before, the black and white "Werkmeister Harmonies", directed by Bela Tarr, the slowest movie ever, yet with a great atmosphere.

"The Melancholy of Resistance" will probably please fans of Krasznahorkai, but if you want to be introduced to his strange universe, I would suggest to start with "Seiobo There Below".