Friday, August 5, 2022
David Graeber & David Wengrow - The Dawn Of Everything (Allen Lane, 2021) ****½
Nicholas A. Christakis - Blueprint - The Evolutionary Origins Of A Good Society (Little Brown Spark, 2020) ****½
Russell Blackford - The Tyranny Of Opinion (Bloomsbury, 2019) ***
Soumaya Majdoub - Consumeren als Konijnen (ASP, 2021) **
Her text is more a pamphlet than a scientific text. Majdoub has a cause to defend, called "ecofeminism", a concept that she jumps on the reader in the last pages of the book, without any prior discussion or introduction, as if it was the solution to all the wrong thinking of neomalthusianists, neoliberals, environmentalists ... Many of her comments and attacks are directed to older thinkers such as Malthus
himself, with little attention to current facts or trends. Her major influence is Eric Ross, whose "The Malthus Factor Population, Poverty and Politics in Capitalist Development" (1998) offers the foundation of Majdoub's thesis. In order to be fully convincing, I - as the possibly naive reader - would have liked more data (see for instance Rosling's 'Factfulness' on demographics) on the real global challenges and trends.
There is no doubt that our current way of life will lead to extinction of life on our planet, possibly sooner than later. It is also evident that we need to change our consumption of resources, both fossil and non-fossil. That women may play a crucial role in all this, could be a change compared to how things were organised in the past, and thus be welcomed. The major downside of Majdoub's thesis however, is that there is no obvious nor substantiated link between the identified problem and the possible solution. Her thesis is too much a personal crusade than a scientifically clear way forward.
Hervé Le Tellier - L'Anomalie (Gallimard, 2020) ****
The plot derives from the realm of the fantastic, with a quirk in the rules of physics resulting in a doubling of a plane and its passengers, one landing 106 days later in June 2021 after the already landed version of March 2021. As you can imagine, the plane is filled with people from different countries, backgrounds, skills and situations in life: a Nigerian homosexual pop star, a girl who loves her frog, a lawyer, a professional assassin, a movie editor, a famous architect, a terminal pancreas cancer patient, ... The characters used for their narratives all have one thing in common: they believe they have a secret life that nobody is aware of, which becomes of course a challenge when suddenly their doubles appear on the scene.
Le Tellier tells their double stories, their true natures and their shadow natures, in this way demonstrating the chance event of how the same people might react differently and how often futile the sense of self is.
Apart from the gimmick of the doubling of the characters, their stories can stand on their own, as commentaries of our everyday life in the 21st century, our little petty attitudes and the decisions made in the grand scheme of things, including the geopolitics and the fear of a new weapon devised by the enemy.
The story is both entertaining and profound, well-written without any stylistic pretence.
J.M.G. Le Clézio - Ourania (Folio, 2006) ***
I am not sure what to think of this novel by Nobel Prize Winner Le Clézio. It starts strongly, in the prologue, somewhere in France. The rest of the novel takes place in Mexico, where the author lived for a while. The main character is a geographer, Daniel Stillitoe, who participates in a broader academic project in which archeologists take the lead. He meets a young Inuit boy, Rafael, who lives in a Utopian community. Different world views collide and none of them succeed, each already presenting the germs of destruction before they come to full fruition.
The concept is interesting, but like so many utopian literature, also utterly boring. The personal tensions between the characters seem sought just to get some suspense in the story, which is a pretext to present world views. The ideal would be to have a perfect match between the abstract and the concrete, or to present the abstract through the struggles and dreams of the concrete, creating tension and suspense in the process, but that does not happen. There seems no obvious reason of why the main character does what he does, or why Rafael would do what he does, and why both characters would even be interested in each other. The emotional drivers seem absent.
As much as I liked his "Ritournelle De La Faim", as nonplussed I am by this novel.
Carson McCullers - The Member Of The Wedding (Penguin, 1947) *
Dave deBronkart - Let Patients Help (CreateSpace Independent Publishing Platform, 2013)
The gives an easy to read overview of where the patient voice can bring value to the healthcare debate. As a patient advocate, I applaude the initiative and the informal way things are presented. However, the focus is primarily on the input from the individual patient, whereas we are trying to get the voice of all patients with a specific disease to work in an organised and systematic way with key stakeholders in order to improve services and outcomes.
Much needs to be done, and the inventory of this book can function as a starting point.
Roberto Bolaño - Cowboy Graves (Penguin, 2021) ***
There are no surprises in the three novellas: the writing is fast-paced, Arturo Belano is the author's alter ego in the stories, which deal with writing poetry, politics and the revolution, with sentences full of uncertainty about things that happened or what may have motivated actions in the past. At the same time, the stories are full of concrete everyday activities, with a sense of mystery and humour about it, and the unpredictability of what may come next.
Like in his other books, there is a wonderful admiration of poets and people who want to improve the world, all this written with a deep authenticity and openness of mind, lightfooted and full of the pleasure of writing.
Fans of Bolaño should definitely seek this book out - even if it does not bring anything new - just for the joy of reading, while people less accustomed to his work, may want to start with "The Savage Detectives" or "2666".
Georges Perec - Les Revenentes (Juillard, 1997 - originally 1972) ***½
We already loved "La Disparition" (translated in English as "A Void"), Perec's novel in which something has mysteriously disappeared, perplexing the characters and making them look for this 'present absence'. The book is written without the vowel "e", which leads to weird sentences at time, considering how omnipresent the letter "e" is in French.
With "Les Revenentes" he does the exact opposite, writing a novel in which the only vowel is an "e", which makes it almost impossible to translate into any other language, but even the French original remains a feat of concentrated creativity. Sure, he tweaks the rules a little bit - for instance the "u" can be dropped when used after a "q" - but that does not diminish the effort it must have taken.
The story itself is a wonderful romp of Berber rebels, criminals, the selling of stolen gems, and perverted clerics who all end up in a great orgy which would be considered pornographic by all standards except maybe in this situation of exaggerated story-telling.
Perec loved language, as he again testifies here. There is fun in every word, in every turn of phrase, there is pleasure in the effort itself. And even if it's showing off his skills, that is not the main thing. It's all about the joy of language, including the weird twists of sentences and probably of the story too that comes with the possibly toughest stylistic restriction that an author can impose upon himself.
It leads to sentences such as this one, which made me laugh out loud:"Cependent, le chef des rebelles berbères, Mehmet ben Berek, enlève Thérèse Merelbeke et l'emmène en jeep dens le bled. René, désesperé, redescend prestement et presse Leclerc de rechercher les rebelles. Mets le chef reste ferme et prétend que Thérèse est décédée!".
or some more:
"Bérengère de Bremen-Brévent (B de BB, elle est célèbre, tel BB) entreprend de vendre ses perles et se sert de l'entregent de l'Evêqe d'Exeter, Serge Merelbeke, leqel, en être pervers et dégénéré, ne rêve qe sexe, de fesses et dérèglements".
... and this for 138 pages long, and as you can notice, some words are a little changed, but overall the effort is quite strong. Perec is as a consequence also possibly the only author who wrote two novels with not one word in common.
The book has also been translated into English as "The Exeter Text: Jewels, Secrets, Sex" in the compilation "Three" from 2004.Julia Galef - The Scout Mindset (Piatkus, 2021) ***
The Rough Guide To Cult Fiction (Haymarket, 2005) ***
An overview of Cult Fiction, whatever that means. The introduction defines: "The term "cult fiction" implies lengthy and irrational devotion probably, though not necessarily, by an ardent minority, to an author or a book. A work that is reread over and over". But even that is not a clear definition. They add it could be due to the life of the author (short, controversial) or not. You could say that anyone whose work is compulsory reading at school cannot be "cult", but the book contains JD Salinger, Truman Capote and William Golding. It is very anglo-saxon in perspective, even if some French authors are included: Sartre, Camus, Perec, Saint-Exupéry, some Japanese such as Mishima and Murakami, etc. The scope is wide, and much more popular than the word 'cult' implies.
Luckily the authors don't take themselves too seriously. Special attention is given to artists with one 'cult' novel, in the "Isolation Ward", although to have Roberto Bolaño in that list is somewhat peculiar, considering his vast output, and special attention is given to Graphic Novels, which is even entirely American in nature, as if there were no great graphic novels from Europe and South America.
Anyway, it's a nice little book to browse through. Even if most names are known, and possibly not much new is to be learned, you can still find some suprises.
Damon Galgut - The Promise (Chatto & Windus, 2021) ****
Joseph Henrich - The Secret Of Our Success (Princeton University Press, 2016) *****
In this book, Henrich explains how nature and nurture are in fact meaningless concepts, since humans have evolved, also genetically as the result of cultural evolution, and we have changed nature around us as well. We depend on our cumulative culture for survival, we need to live in cooperative groups, using allo-parenting, the division of labour and information, and on our communicative abilities to be what we are today: a biological anomaly, a new kind of animal. The chronological concept that we are developed in nature, and then later developed our culture is an erroneous one: our culture affects our genes and our genes affect our culture: both co-evolve, and are still co-evolving. Henrich provides numerous examples from biology, cognitive sciences, linguistics, economics, history and anthropology to build his convincing case.
We are a cultural species, whether we want to or not, and understanding this, will help us understand the perspectives of others even better. We are not determined once and for all. Henrich ends his book with eight insights that will help this understanding and paving the way for future research and human progress. Especially his examples related to language, communication, cooperation and collective brains show how collaborative and communal efforts have led to benefits for us all. Henrich gives examples of how highly intelligent and resourceful explorers did not manage to survive in difficult situations (from the arctic to the Australian desert), despite their brains and technology, while local indigenous people did. They lacked the collective intelligence of the local tribes.
Henrich's sweeping picture of humanity is well-substantiated and easy to read. For instance, his example that humans can outrun quadrupeds in terms of endurance, and have done so daily as hunters, for the simple reason of using gourds of water they took with them to compensate for sweating and dehydration. The cultural invention compensates for the natural deficit, turning it into an advantage, and thus better chance of survival.
It's a humbling and insightful book, well-written and compelling. Henrich concludes:
‘To move forward in our quest to better understand human life, we need to embrace a new kind of evolutionary science, one that focuses on the rich interaction and co-evolution of psychology, culture, biology, history, and genes. The scientific road is largely untravelled, and no doubt many obstacles and pitfalls lie ahead, but it promises an exciting journey into unexplored intellectual territories, as we seek to understand a new kind of animal.’
Claire-Louise Bennett - Checkout 19 (Jonathan Cape, 2021) **
Jean-Baptiste Del Amo - Le Fils De L'Homme (Gallimard, 2021) ****
The father is unpredictable, jealous, erratic, violent and on the verge of madness. The mother is powerless, anxious, loving, terrified ... and pregnant. The boy oscillates between both parents, happy to be taken for an adult when he gets shooting lessons, feeling lost when he cannot make sense of what's happening with the adults and their environment.
Del Amo's characters are poor, also in their strength to make something of their lives. The mother reads popular romance novels in order to escape from her dreary reality. The father relives the situation he was brought up in by his own father, an equally violent despot. Both are gentle with the boy, loving even, even if both are too tied up in their own problems to really give him the environment that he needs.
Del Amo describes and brings to live the terrifying emotions of anonymous characters, in whose situation we are dropped with direct experience of every minute action that each of them makes, full of physical power and virtuose language, and further strengthened by the use of the simple present, which gives the reader to be part of the action as it unfolds in all its dramatic and tragic plot. I am used to read in French, I hear French all the time, but I must admit that many phrases contain words that I now read for the first time. His language is rich, but his style is direct, including in the dialogues.
The novel is a kind of update of Greek tragedy. Even if the end was not predicted (by Cassandra or some character), every reader knows from the start that things will not end well. The fact that the characters don't have names even strengthens the abstract theme of returning generational violence. It is Del Amo's strength that he made his descriptions tangibly concrete to make us live the experience.
Highly recommended!
Mohamed Mbougar Sarr - La Plus Secrète Mémoire Des Hommes (Philippe Rey, 2021) ****
Bart D. Ehrman - Heaven And Hell - A History Of The Afterlife (OneWorld, 2020) ****
Tuesday, January 4, 2022
Books of the Year 2021
I spent a great deal of my time this year re-reading my favorite comic books (by Joann Sfar, Lewis Trondheim, Christophe Blain), and watching a lot of television series (possibly too many).
That is why my focus on reading was more directed towards non-fiction, mostly about the situation of our human species, in the universe, in our history, our interactions, our society.
Two books really stood out for me: Joseph Henrich's "The WEIRDest People In The World", about what historical aspects - including the church's prohibition to marry first cousins - created a drive toward innovation and democracy in Western Europe in the past 700 years. The second is Francesca Stavrakopoulou's "God, An Anatomy", in which she details all the body parts of god based on biblical and other ancient texts, helping us interpret some of the strange sayings in the bible, and to understand its origins from other and earlier religions. Both books show an incredible knowledge of the subject matter, inventive insights and craftfully written.
I also enjoyed "Metazoa", a book that explores the level of consciousness among living things, from the simplest to the most complex.
Non-fiction- Joseph Henrich - The WEIRDest People In The World (Allan Lane, 2020) *****
- Francesca Stavrakopoulou - God - An Anatomy (Picador, 2021) *****
- Peter Godfrey-Smith - Metazoa - Animal Minds And The Birth Of Consciousness (William Collins, 2020) ****½
- Francis Fukuyama - Identity - Contemporary Identity Politics and the Struggle for Recognition (Profile Books, 2019) ****
- Michio Kaku - The God Equation - The Quest For A Theory Of Everything (Allen Lane, 2021) ****
- Rebecca Wragg Sykes - Kindred - Neanderthal Live, Love, Death And Art (Bloomsbury, 2020) ****
- Martin Amis - Inside Story (Jonathan Cape, 2020) ****
- Carlo Rovelli - Helgoland (Allan Lane, 2021) ****
- Anil Seth - Being You - A New Science Of Consciousness (Faber & Faber, 2021) ****
- Sarah Rose Cavanagh - Hivemind - The New Science Of Tribalism in our Divided World (Orion Spring, 2019) ***
- Heidi J. Larson - Stuck "How Vaccine Rumors Start - And Why They Don't Go Away"(Oxford University Press, 2020) ***½
- Ronald F. Inglehart - Cultural Evolution (Cambridge University Press, 2018) ***½
- Brian Clegg - Dark Matter & Dark Energy (Icon Books, 2019) ***
- Salman Rushdie - Quichotte (Penguin, 2019) ****
- Mario Vargas Llosa - Harsh Times (Faber, 2021) ***½
- Fiona Mozley - Elmet (John Murray, 2018) ***½
- Kent Haruf - Plainsong (Picador, 1999) ***
- Tim Winton - That Eye The Sky (Penguin, 1986) ***
- Yasser Abdel Hafez - The Book Of Safety (Hoopoe, 2013) **½
- Julian Barnes - The Only Story (Penguin, 2018) **
- Ocean Vuong - On Earth We're Briefly Gorgeous (Penguin, 2019) **
- Denis Johnson - The Largesse Of The Sea Maiden (Vintage, 2018) *

















